Students learn that the Maori culture used the ancient art of tattoo to identify status, for protection and for other social meaning. Students will then create their own paper arm displaying tattoo art, Maori or self influenced.
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THE PLAN
5 sessions; 60 minutes per session
Students learn that… the Maori culture used the ancient art of tattoo to identify status, for protection and for other social meaning.
The students learn how to…create their own paper arm displaying tattoo art, Maori or self influenced.
The students learn to (or to be)… more aware of the ancient art of tattoo and its origins.
Discuss: How many of us in this class room have a tattoo or want a tattoo? Why do we choose to put marks on our body? What are the reasons for getting a tattoo? (self choice, memorial/honor someone, artistic expression) Introduce Maori culture and the origins of the tattoo. Relate to the same reasons we get tattoos in our society today.
Sketch, draw out in pencil (trace arm), draw designs, color in with chosen medium.
rubric/class critique.
THE STANDARDS
Visual Arts Standard 1: Understanding and applying media, techniques, and processes
[9-12 Proficient] Students apply media, techniques, and processes with sufficient skill, confidence, and sensitivity that their intentions are carried out in their artworks
Visual Arts Standard 2: Using knowledge of structures and functions
[9-12 Proficient] Students evaluate the effectiveness of artworks in terms of organizational structures and functions
Visual Arts Standard 3: Choosing and evaluating a range of subject matter, symbols, and ideas
[9-12 Proficient] Students reflect on how artworks differ visually, spatially, temporally, and functionally, and describe how these are related to history and culture
[9-12 Advanced] Students describe the origins of specific images and ideas and explain why they are of value in their artwork and in the work of others
Visual Arts Standard 4: Understanding the visual arts in relation to history and cultures
[9-12 Advanced] Students analyze and interpret artworks for relationships among form, context, purposes, and critical models, showing understanding of the work of critics, historians, aestheticians, and artists
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